Decorators’ Show House & Gardens

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Editor’s Note: The 2010 Atlanta Symphony Associates Decorators’ Show House & Gardens opens April 17 at 3639 Tuxedo Rd. We’ve once again invited kitchen design extraordinaire and Design Galleria principal Matthew Quinn to to keep a journal of the process, every step of the way. Today is his third installment about how the kitchen is taking shape. Look for his last installment this Friday.

So we now have a fabulous new kitchen layout that functions well and breathes new life into this space.  However, as always, the details will make or break it and we still have some challenges ahead of us such as the ceiling height and low windows in front of the sinks.

I have found the best way to “raise” a ceiling is to paint the walls and ceiling the same color.  If there is a color change between the wall and ceiling, you have drawn attention to the one line in the room you are trying to hide.  Furthermore, painting the cabinets the same color as the walls will allow them to visually recede into the walls enlarging the space.  Minimizing wall cabinets and using tall groupings of appliances and storage will also help “verticalize” the space.   Again, instead of drawing the eye down and horizontal to the space between the countertop and wall cabinet, a tall cabinet becomes one vertical element and makes us look up.  Wall cabinets were unavoidable in this kitchen but by attaching panels to them that extend to the countertop, “hutch ends”, we will further elongate that all important vertical line.

Placing the sinks in front of the windows that overlook the front yard is essential to the new plan, however, the window sill is 12” lower than the countertop.  A well will have to be created between the window and sink to allow access to the window. Finishing the back side of the cabinet and installing a decorative backsplash from the countertop material turns this challenge into a design opportunity.  I actually had this same situation at the 2006 ASO Showhouse where I used a wood countertop and a marble sink.

Challenges conquered, now it is time to select all of the gorgeous colors, materials and surfaces.  I always start with the floor as it is becomes the foundation of the design scheme.  Here we were working with an existing oak floor but we were able to stain it darker using my favorite mix of half Jacobean and half Special Walnut stains.  Next I like to pick countertops and luckily, Marmi found us the most amazing marble on the planet.  So now that we have two major decisions done, we can work on completing the rest of this “outfit”.  A taupe colored suit would complement the dark brown shoes and our marbled dress shirt with accents of merlot, sage, greys and taupes, therefore, we will paint our perimeter cabinets taupe and the island cabinets a slightly darker shade of the same color just for fun.  This taupe color will look great next to the two stainless steel Dacor refrigerators.  The pewter and scagliola hood, a Matthew Quinn Collection exclusive from Francois and Co., becomes the hat, the camel-glazed ceramic tile from Renaissance Tile becomes the tie, the black walnut island tops from Craft-Art the belt to match the shoes and the polished nickel sconces and hardware from Matthew Quinn Collection the cufflinks and watch.

The patterns, shapes and trims are next and an important step in marrying this new kitchen to the existing homes architecture.  Adding soft curves and circles to the rooms rectangular shape and existing beamed ceiling seemed right.  Fortunately, we had many elements to inspire us with interesting iron, lead and millwork designs throughout the house.

The mirrored doors over the ovens were inspired by the clearstory window.

The sink and hood backsplash were inspired by the crown molding in the living room.

We custom made the gently radiused stainless steel apron front sinks complete with a gooseneck faucet by Matthew Quinn Collection for the Rubinet Faucet Co. 

Perfect circles of pewter are recessed into the walnut island countertops playing off the round chandeliers above.

Together, this ensemble is timeless, sophisticated, elegant, textural, colorful and head turning.  And, yes, I am “dressing” this kitchen with lots of my own MQC products, but why would I not wear things that I love.  

On Friday, I will reveal as much as I can without breaking any indecent exposure laws…..

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Editor’s note: The 2010 Atlanta Symphony Associates Decorators’ Show House & Gardens opens April 17 at 3639 Tuxedo Rd. We’ve once again invited kitchen design extraordinaire and Design Galleria principal Matthew Quinn to to keep a journal of the process, every step of the way. Today is his first installment about how the kitchen is taking shape. Look for a new installment every week until the Show House opens.

We had so much fun and received such great feedback and questions from last year’s blog about the journey to the completion of 2009 Atlanta Symphony Decorators’ Show House; we could not resist doing it again. This year the show house is back on more familiar ground in a historic Colonial-Revival style home in Tuxedo Park versus last year’s show house in the newly opened St. Regis. Last year we chronicled the design process of one of the modern kitchens we presented, while this year we will share our adventures of designing, renovating and installing this traditional kitchen. Clearly, there will be some similarities as we approach the design process the same way no matter what the project; but this year we had some unique challenges.

This particular home means something to me. I had just started as an intern at Design Galleria in 1993 when Cliff Wang and Kathy Gregorcyk were installing a new kitchen into this home. This house was the first job site I visited and the first kitchen installation I experienced. It made gutting the kitchen especially hard but also exhilarating and exciting to see what the new guard at Design Galleria could do in the same space 17 years later.

People really do not live today much differently than they did in 1993. The original kitchen was actually still in great shape and the layout of the kitchen would still be considered appropriate for a modern family. The first thing that dates a kitchen is the appliances. We could have simply exchanged the appliances, replaced the hood and backsplash and a faucet here and there and this could have worked…but what kind of challenge is that? We wanted to do more; let’s remember, this is a show house!


Pictures of the original kitchen

The original kitchen had a 36” wide refrigerator, 36” wide freezer, 48” wide range, a warming drawer, microwave, main sink, prep sink, one dishwasher, desk and a rather small walk-in pantry. The island layout really separated the kitchen from the keeping room which was intentional, so whoever was cooking was not disturbed by all the hustle and bustle. The refrigerator and freezer were placed symmetrically on each side of the range while a desk and shallow pantry backed up to the powder room and pantry concealing a dumbwaiter to the garage. The biggest challenge in this space is the ceiling height of 8’6” with existing 6” tall beams. We are going to have to pull some ceiling elevating tricks out of our hat to make this kitchen feel taller.


Original kitchen plan

Stay tuned next week for the changes we made to the plan.

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I was at Sam Flax Art & Design last week buying a Taschen book (of which they have a wonderful selection) for a designer friend’s birthday—the stunningly photographed Great Escapes Europe, part of the publisher’s Hotel Book series—when I stumbled upon a table of Pantone Universe Color Mugs and a sign bearing the directive: What’s Your Color? I left without making the impulse purchase, but decided that should I buy a mug, it would most definitely be in Pantone’s much-publicized 2010 Color of the Year: PANTONE 15-5519 Turquoise—a shade that’s now showing up on every design avenue, from fashion to interiors.

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As it turns out, the mugs are produced in only a limited batch of colors that do not include the hot blue-green hue we’re all currently clamoring for, but you can still make the splurge ($14.75) for the very similar PANTONE 3272C Turquoise in a pinch. Sam Flax also sells them in 13 other striking shades for your every color mood.

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Still, I believe the best colors are those that have the power to transcend trends as much as they remain rooted in the classics. So today, I thought I’d share my favorite turquoise-accented rooms that have been previously published in the pages of Atlanta Homes & Lifestyles. They demonstrate turquoise’ timeless staying power while revealing the keen eyes for design our local talents continue to have, despite the season:

A quiet coastal porch designed by Carter Kay recalls the colors of the seashore just beyond.

A quiet coastal porch designed by Carter Kay recalls the colors of the seashore just beyond.

Katie and Ian Walker's dining room features a trio of some of the most gorgeous turquoise chandeliers I've ever seen—and turquoise accents to boot.

Katie and Ian Walker's dining room features a trio of some of the most gorgeous turquoise chandeliers I've ever seen—and turquoise accents to boot.

Judith Schindler and Sudi Cecil add turquoise accents to a neutral scheme and instantly add a whole new vibrancy to the room.

Judith Schindler and Sudi Cecil added turquoise accents to a neutral scheme and with them, a whole new vibrancy to the room.

I love the subtlety of the trellis-pattern wallpaper Mallory Mathison chose for her space in the 2009 Decorators' Show House—and how well it's graphic turquoise combines with rich gold.

I love the subtlety of the trellis-pattern wallpaper Mallory Mathison chose for her space in the 2009 Decorators' Show House—and how well its graphic turquoise combines with rich gold.

Local artist Andrew Crawford and his wife added the ideal pop of this shade to the living room in their Westside cottage. Don't you love how well it mixes with bronze and warm caramel brown?

Local artist Andrew Crawford and his wife added the ideal pop of this shade to the living room in their Westside cottage. Don't you love how well it mixes with bronze and caramel brown?

Designer Billy Roberts enveloped a room in turquoise at a client's second home in Sea Island. Even in large quantities, this color promotes a relaxed mood.

Designer Billy Roberts enveloped a room in turquoise at a client's second home in Sea Island. Even in large quantities, this color promotes a relaxed mood.

 

Be sure to read The Gables Antiques team’s own take on turquoise on their new blog—another current obsession!

blog.thegablesantiques.com

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Editor’s note: With the Decorators’ Show House & Gardens less than a month away, we asked one of the participating designers, Matthew Quinn, to keep a journal of the process, every step of the way. Today is his fifth installment about how one of his spaces is taking shape. Look for a new installment every week until April 17 when the Show House opens.
 
Sometimes, design can be like a bullet train. The process can start out slow and cautious, but once a solid foundation of design decisions has been built, there are soon fewer options for each stop on the ride. Before you know it, the train is moving faster and faster and the decisions become easier. For instance, after getting most of the layout and finishes selected, I could not think of another faucet that would be more perfect for this kitchen than the Kohler Karbon. The way this faucet can be articulated is so cool; it can be configured to be very tall in order to fill huge pots and spray out the corners of the huge granite sink, or it can be folded down very small so as to not block the terrace view. I kind of like pretending it is a microphone, too. 
 
Karbon
Kohler’s Karbon faucet as shown with the contemporary kitchen’s large granite sink
 
Again keeping the view in mind, I knew I wanted three pendants over the peninsula that would be basically translucent during the day and add just the right amount of light and interest at night. Since this design “train” seems to be about horizontal stripes, I chose the Ingo pendant from WAC Lighting because of its long, slender white glass body and horizontally striped etchings. There is not an incredible amount of space between the drinking bar (I call it this because anything other than sipping wine or martinis here would be done in the adjacent casual dining space) and the peninsula and the tall terrace doors, so I really needed a counterstool that had very little visual weight. The almost transparent Kartell Charles Ghost counter stools from Design Within Reach were again an easy decision. The decorative hardware was really all that was left to choose and that is always one of my favorite decisions. There are hundreds of options that could have worked in this modern kitchen, but I knew that only one would be perfect. I decided to custom design the hardware using two of the elements in the space: the stainless steel of the ovens and countertops and the bronze glass of the backlit hood. This piece, called "Marquet," is part of my own hardware collection [Ed note: The Matthew Quinn Collection], and what makes it so versatile is that any material—from stone to horn to wood—can be inserted into this handle’s slot, making it the perfect hardware for anyone’s design “train.”
 
Marguet
The Matthew Quinn Collection custom-designed cabinetry hardware, incorporating  the stainless steel of the appliances and the bronze glass of the backlit hood
 
I’ll take you behind the scenes of even more of the contemporary show house design next week. Have a great week!
 
 

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Editor’s note: With the Decorators’ Show House & Gardens less than two months away, we asked one of the participating designers, Matthew Quinn, to keep a journal of the process, every step of the way. Today is his third installment about how one of his spaces is taking shape. Look for a new installment every week until April 17 when the Show House opens.

It is absolutely incredible how quickly these show houses are being built! To think that they were just shells two months ago is unbelievable. Jim McQuarrie is the Bovis project super "hero" intendant, and under his direction, decisions that would typically be made in weekly meetings are now made in daily meetings and cell phone conversations. He’s good at keeping us on task.

We designers had to decide every finish well before the space materialized. I knew the probability of getting all five of us to agree on a cabinet finish for the St. Regis show house was highly unlikely, but five brains are always better than one. I scheduled a meeting with Mary Kathryn, Laurie, Patti and Robin to select the tile and cabinet finishes for unit 1130.

Kitchen finishes

The finishes Design Galleria selected for the kitchen’s surfaces

No matter what the project, we always start with the floors! Since we had already selected ebony-stained wood floors for the transitional show house and dark walnut floors for the traditional show house, we gravitated toward an all-tile floor for the modern show house. The living room and dining room spaces are enormous, so we knew we needed the largest size tile we could find in three weeks—a task that we knew only Ronda at Walker Zanger could accomplish. She found a creamy limestone called “Parchment" that was ¾” thick and 36” by 36” in dimension. It’s soft, neutral and versatile, allowing us to cut these large pieces into any shape and size.

We decided to cut the tiles in half and lay them in a running bond so that the attention would be immediately diverted to the terrace and skyline views. And because the kitchen layout is so architectural, with mostly tall structures and perpendicular surfaces, we decided to accentuate these by contrasting the cabinet finish with the floor as well as by mixing a solid color lacquer with a stained veneer.

We also chose a gray-stained walnut from Downsview and paired it with a warm anthracite-colored high gloss lacquer. The lacquer is expressed in the side panels and with horizontal stripes on the tall wall that replicate the mullions in the tall terrace doors. When we placed these finishes next to the Wolf stainless steel finishes, we all loved the way they added a little bling to the look, rather than melting into the surroundings. Speaking of bling, next week I will share the details on the cool custom hood, backsplash, countertops and sink.

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