Matthew Quinn Collection

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Editor’s Note: The 2010 Atlanta Symphony Associates Decorators’ Show House & Gardens opens April 17 at 3639 Tuxedo Rd. We’ve once again invited kitchen design extraordinaire and Design Galleria principal Matthew Quinn to to keep a journal of the process, every step of the way. Today is his third installment about how the kitchen is taking shape. Look for his last installment this Friday.

So we now have a fabulous new kitchen layout that functions well and breathes new life into this space.  However, as always, the details will make or break it and we still have some challenges ahead of us such as the ceiling height and low windows in front of the sinks.

I have found the best way to “raise” a ceiling is to paint the walls and ceiling the same color.  If there is a color change between the wall and ceiling, you have drawn attention to the one line in the room you are trying to hide.  Furthermore, painting the cabinets the same color as the walls will allow them to visually recede into the walls enlarging the space.  Minimizing wall cabinets and using tall groupings of appliances and storage will also help “verticalize” the space.   Again, instead of drawing the eye down and horizontal to the space between the countertop and wall cabinet, a tall cabinet becomes one vertical element and makes us look up.  Wall cabinets were unavoidable in this kitchen but by attaching panels to them that extend to the countertop, “hutch ends”, we will further elongate that all important vertical line.

Placing the sinks in front of the windows that overlook the front yard is essential to the new plan, however, the window sill is 12” lower than the countertop.  A well will have to be created between the window and sink to allow access to the window. Finishing the back side of the cabinet and installing a decorative backsplash from the countertop material turns this challenge into a design opportunity.  I actually had this same situation at the 2006 ASO Showhouse where I used a wood countertop and a marble sink.

Challenges conquered, now it is time to select all of the gorgeous colors, materials and surfaces.  I always start with the floor as it is becomes the foundation of the design scheme.  Here we were working with an existing oak floor but we were able to stain it darker using my favorite mix of half Jacobean and half Special Walnut stains.  Next I like to pick countertops and luckily, Marmi found us the most amazing marble on the planet.  So now that we have two major decisions done, we can work on completing the rest of this “outfit”.  A taupe colored suit would complement the dark brown shoes and our marbled dress shirt with accents of merlot, sage, greys and taupes, therefore, we will paint our perimeter cabinets taupe and the island cabinets a slightly darker shade of the same color just for fun.  This taupe color will look great next to the two stainless steel Dacor refrigerators.  The pewter and scagliola hood, a Matthew Quinn Collection exclusive from Francois and Co., becomes the hat, the camel-glazed ceramic tile from Renaissance Tile becomes the tie, the black walnut island tops from Craft-Art the belt to match the shoes and the polished nickel sconces and hardware from Matthew Quinn Collection the cufflinks and watch.

The patterns, shapes and trims are next and an important step in marrying this new kitchen to the existing homes architecture.  Adding soft curves and circles to the rooms rectangular shape and existing beamed ceiling seemed right.  Fortunately, we had many elements to inspire us with interesting iron, lead and millwork designs throughout the house.

The mirrored doors over the ovens were inspired by the clearstory window.

The sink and hood backsplash were inspired by the crown molding in the living room.

We custom made the gently radiused stainless steel apron front sinks complete with a gooseneck faucet by Matthew Quinn Collection for the Rubinet Faucet Co. 

Perfect circles of pewter are recessed into the walnut island countertops playing off the round chandeliers above.

Together, this ensemble is timeless, sophisticated, elegant, textural, colorful and head turning.  And, yes, I am “dressing” this kitchen with lots of my own MQC products, but why would I not wear things that I love.  

On Friday, I will reveal as much as I can without breaking any indecent exposure laws…..

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Editor’s note: The 2009 Atlanta Symphony Associates Decorators’ Show House & Gardens opens April 18 at the St. Regis Atlanta Hotel & Residences. It’s hard to believe the opening date is already upon us. For eight weeks prior to the show house reveal, we called on kitchen design extraordinaire and Design Galleria principal Matthew Quinn to chronicle the design process of his team as they created a contemporary kitchen from a completely blank canvas – an unfinished space in the new St. Regis Residences. The results are remarkable. Today, in his eighth and final installment, Quinn showcases a few snapshots of the finished kitchen; but, we assure youthe real thing is even more marvelous. Visit the show house through May 10 to see the brilliant, modern space for yourself. We’ll look forward to seeing you there!
 
 
The day has finally come for the “big reveal” of our contemporary show house kitchen.
 
DesignGalleria
 
It took four months of hard work to build this space from a shell and we feel like we achieved not only something unique, but something uniquely St. Regis. We are also very excited to show you the traditional and transitional kitchen and bathrooms we put our hearts and minds into creating. Whether your design perspective comes more from a chintz or stainless steel perspective, there is a room in these three residences that you will love. Come with an open mind and a keen eye to explore each and every detail of these residences and this stunning hotel.
 
DesignGalleria
 
Mary Kathryn, Laurie, Patti, Robin, myself and our team look forward to meeting you and giving you the nickel tour or quarter tour, whichever you choose.
 
DesignGalleria
 
For more information on the show house, visit decoratorsshowhouse.org or pick up the May issue of Atlanta Homes & Lifestyles.
 

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Editor’s note: It’s hard to believe that the Decorators’ Show House & Gardens opens in little more than a week. In the weeks leading up to the opening, we asked one of the participating designers, Matthew Quinn, to keep a journal of the process, every step of the way. Today is his seventh installment about how one of his spaces is taking shape. Look for his final installment next week as we anticipate the grand Show House opening on April 17.
 
I love jigsaw puzzles. This past week’s show house schedule was probably the most elaborate and complicated puzzle I have ever tackled. Designers are moving in incredible rooms of art and antiques amongst a sea of painters, tile installers, electricians and plumbers working on last minute details. Patience, deep breaths and the amazing organizational skills of our Director of Business Development, Dusty Miller, has kept me out of the emergency room this week. Our work is down to perfecting the tiniest of details, which sometimes takes longer than the entire rest of the process. I thought I would share a puzzle with you. Below are several small detail shots in the modern show house kitchen. See if you can assemble these to visualize the entire space, and if not, I will solve it for you next week. 
 
Gnosis
The stainless steel-framed bronze glass hood and framed Gnosis mosaic backsplash
 
 
PaneledWalls
The paneled walls resembling the terrace French doors
 
 
WolfOvens
Two side-by-side Wolf ovens
 
 
countertop
The honed granite Walker Zanger countertop
 
 
Hardware
The Matthew Quinn Collection hardware on the Downsview cabinets
 
 
KohlerKarbon
The stainless steel countertop and custom granite sink with Kohler Karbon faucet
 
Check back next week for our final blog in this series, when we unveil the finished kitchen. We’re excited for the grand opening! Purchase tickets to see the Show House in person at decoratorsshowhouse.com.

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Editor’s note: It’s hard to believe that the Decorators’ Show House & Gardens opens in just over two weeks. In the weeks leading up to the opening, we asked one of the participating designers, Matthew Quinn, to keep a journal of the process, every step of the way. Today is his sixth installment about how one of his spaces is taking shape. Look for a new installment every week until April 17 when the Show House opens.

I think I figured out why Design Galleria loves to partake in show houses; we are addicted to the challenge. It is our own “Amazing Race” reality show! Although we have participated in more show houses than any other kitchen and bath design studio in the entire Southeast, this was the ultimate test. Not only did we take on a show house in a high rise while it was under construction—which was a feat in itself—but we also committed to creating 3 kitchens, 3 bars and 7 bathrooms!

If we did not already have 15 Atlanta Symphony Associates Show Houses under our belts, the pictures below would be quite scary. These pictures show the current status of the modern unit kitchen in all of its glory. It is hard to believe that interior designers start moving in their furniture, drapery and art this weekend. With the right combination of hard work, long hours and a little bit of magic, it continuously amazes me how it ALWAYS gets done.

I will let you know next week if I was able to sleep at all this week.
 

Kitchen

The metal surround of the custom hood could not be templated until the sloped ceiling was finished. The bronze glass hood inserts could not be templated until the metal surround was made. The lights and fan in the hood can’t be installed until the glass inserts are installed. 

 

Kitchen

Since the peninsula has a granite countertop and a stainless steel countertop butting into each other, the granite had to be templated and installed before the stainless could be templated and installed. The appliances are always one of the last items to be installed in a kitchen and require the decorative hardware so the integrated panels can be drilled for them. 

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Editor’s note: With the Decorators’ Show House & Gardens less than a month away, we asked one of the participating designers, Matthew Quinn, to keep a journal of the process, every step of the way. Today is his fifth installment about how one of his spaces is taking shape. Look for a new installment every week until April 17 when the Show House opens.
 
Sometimes, design can be like a bullet train. The process can start out slow and cautious, but once a solid foundation of design decisions has been built, there are soon fewer options for each stop on the ride. Before you know it, the train is moving faster and faster and the decisions become easier. For instance, after getting most of the layout and finishes selected, I could not think of another faucet that would be more perfect for this kitchen than the Kohler Karbon. The way this faucet can be articulated is so cool; it can be configured to be very tall in order to fill huge pots and spray out the corners of the huge granite sink, or it can be folded down very small so as to not block the terrace view. I kind of like pretending it is a microphone, too. 
 
Karbon
Kohler’s Karbon faucet as shown with the contemporary kitchen’s large granite sink
 
Again keeping the view in mind, I knew I wanted three pendants over the peninsula that would be basically translucent during the day and add just the right amount of light and interest at night. Since this design “train” seems to be about horizontal stripes, I chose the Ingo pendant from WAC Lighting because of its long, slender white glass body and horizontally striped etchings. There is not an incredible amount of space between the drinking bar (I call it this because anything other than sipping wine or martinis here would be done in the adjacent casual dining space) and the peninsula and the tall terrace doors, so I really needed a counterstool that had very little visual weight. The almost transparent Kartell Charles Ghost counter stools from Design Within Reach were again an easy decision. The decorative hardware was really all that was left to choose and that is always one of my favorite decisions. There are hundreds of options that could have worked in this modern kitchen, but I knew that only one would be perfect. I decided to custom design the hardware using two of the elements in the space: the stainless steel of the ovens and countertops and the bronze glass of the backlit hood. This piece, called "Marquet," is part of my own hardware collection [Ed note: The Matthew Quinn Collection], and what makes it so versatile is that any material—from stone to horn to wood—can be inserted into this handle’s slot, making it the perfect hardware for anyone’s design “train.”
 
Marguet
The Matthew Quinn Collection custom-designed cabinetry hardware, incorporating  the stainless steel of the appliances and the bronze glass of the backlit hood
 
I’ll take you behind the scenes of even more of the contemporary show house design next week. Have a great week!
 
 

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